The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectivey than that descend into the sand.
(via oak-land-blog-blog)
The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectivey than that descend into the sand.
(via oak-land-blog-blog)