Everything I draw ends up wearing a bow-tie

Thanks for all the kind comments! I can’t believe any of you put up with me making these let alone encourage me to do them <3

Part two of three! Part one here / part three here! (or alternatively read the whole thing here because dumblr keeps deleting work with no warning)

can’tbebotheredmakingabetterjobofcolouringso anyway here’s another doodle comic nobody asked for

Part one of three! Part two here. / Part three here.

thanks for all the kind messages today, I’m just taking it steady and working on the doodle comic for a break- here’s some happy for your trouble :’D

y’all don’t know how many versions these doodle comics go through anyway deleted scene sketches where Gladstone ought by right to have been Blown To Pieces by a spell gone wrong but luck happens- Magica mildly fascinated about the fact he doesn’t have a hole through him like ‘idk whether to be relieved or super mad that it didn’t work’. edited out bc it didn’t fit the page flow :/

also I didn’t even realise how shippy these were until now, gad.

aka. yes I’m working on another doodle comic

Part two of two! This was a nice break, thanks for being so patient I think my hands will be able to get back to my usual slog from tomorrow but yeah, how ‘bout them ducks hey. Can’t wait for the genuine new Ducktales to throw all these headcanons out the window but y’know, taking advantage of that lead.

Part one can be read here!

this was fun! trying to guess what the new Ducktales kids would behave like from the trailer and a more cynical/mean Gladstone from the good ole’ days- might be totally off the mark as to what they’ll turn out like but hey

part one of two! Part two can be read here!

So I have folks asking about my process/what I count as a doodle comic a fair bit, and the answer is it kind of changes? mostly I guess doodle comics are a) fan comics of some sort and b) not ‘finished’ finished they usually have scribbly bgs or structure lines left in them. Mostly my drawing process is like above- a loose silhouette or line sketch, then some blocking in and refinement, complicated objects/establishing shots, and then line art last if I can be bothered ahaha um. 

Generally I do thumbnails for all the pages and then work the dialogue over it, which I usually have a vague idea for but I always change it and try to streamline it as I go; I’m more visually driven, so I almost always start with image and then move on to the words. Sometimes (like the bottom image here) there are panels that I want to get down on the paper/screen before they melt out of my brain, so I just start and let the energy bubble out while it’s there.