The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectively than that descent into the sand.
(via ohmybuster)
The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectively than that descent into the sand.
(via ohmybuster)
Buster Keaton - The Paleface (1922)
Can I just point out how Keaton doesn’t even flinch when a goddamn axe slams into a tree inches away from his hand?
The correct (and practical) way to make out, presented by C. Greenwood, DDS and B. Keaton, DTF
(via ohmybuster)
The High Sign revised after my advisor’s notes. I really like ballpoint pen. Funny - after all those years learning expensive media I always gravitate to the cheapest tool in my kit. Mudda…
(via pikachu-slut)