Everything I draw ends up wearing a bow-tie

Livestreaming the next TPoH page

Starting in about 2 mins.

Come over here and get spoilered

or don’t

that’s cool too.

SOMEONE GIVE THIS ANON A MEDAL WE HAVE A WINNER.

He is indeed! You lot are good at this! Yes, it’s from The Tempest, scene one, when the ship is wrecked;

GONZALO;

    He’ll be hang’d yet,
    Though every drop of water swear against it
    And gape at widest to glut him.

    A confused noise within: ‘Mercy on us!’– 'We split, we split!’–'Farewell, my wife and children!’– 'Farewell, brother!’–'We split, we split, we split!’

ANTONIO

    Let’s all sink with the king.

SEBASTIAN

    Let’s take leave of him.

    Exeunt ANTONIO and SEBASTIAN

GONZALO

    Now would I give a thousand furlongs of sea for an
    acre of barren ground, long heath, brown furze, any
    thing. The wills above be done! but I would fain
    die a dry death.

… Yes, this is relevant.

TPoH: Update

Here and here.

Wow, I can’t believe someone picked that out already!

You’re absolutely right. In storyboarding, you use a lot of different methods to indicate camera movement. Camera shakes are indicated by those square corner markings.

People draw them slightly differently depending on the show’s specifications for what’s acceptable, but generally sets of vertical lines imply a horizontal shake, horizontal lines imply a vertical shake, and corner markings imply mixed shake. The camera is moved fractionally up, down, left and right, usually on a frame by frame basis, to create an earthquake or impact effect. You see it very often in cartoons when people get hit over the head or slam into walls etc.

TPoH: Update

Here and here.

Fun fact- these creatures were a significant part of several of my nightmares as a child.

Me still being a child I hope you appreciate that they still freak the shit out of me on a regular nightly basis.

TPoH: Update

OH SNAP THAT’S RIGHT I’M STILL RUNNING THIS HOT MESS

here and here.