Well damnit that video post made me want to draw this guy, so marginal character spoilers I guess (who am I kidding this kid won’t appear for ages so you’ll forget him before then).
This is TOby. No, that’s not a typo, it is written TOby.
He hates you.

If you’re wondering why he’s such a charmer, well… he has reasons.

I was just doing the old de-saturate tonal test on the next page and thought this turned out kind of funny so here have a derp RGB :3c

“… wut.”
Madras and RGB kiss kiss
askdjaskdlas
this is so creepy and cute and oh gosh you are a master how do you even
the lighting.

>Cyclops eye-kisses tv headed guy right on his screen
These are my pairings.
ARE YOU DRAWING THAT
ARE YOU REALLY

Had some people asking me for tips about posing and composition, so here’s three basic tests that I run my pictures through which I find helpful.
1) Silhouette; Can you tell what is happening in the picture? Can you tell what the characters are like, what they’re doing? If you cannot ‘read’ a character’s pose as a simple blacked out shape, then the pose probably isn’t working. There are some exceptions, like foreshortening, but your picture will always benefit from a strong silhouette, and it makes you push your poses to the extreme.
2) De-saturate; I have a huge fondness for black and white films, but one of the strongest lessons they’ve taught me is that if an image doesn’t work without colour, it usually doesn’t work at all. Always think about the tonal values; if you de-saturate the image, does it still look good? Is there enough contrast between the characters and the background? What about shadows- are you using them to help the picture? Are they in the right place? Where is the light coming from? How solid is an object? This is a good test to make sure the lighting is working as a whole.
3) Atmosphere; What do you want the picture to convey? Do you want it to be stark and dynamic, or soft and dreamlike? Having a set colour palette is a good way to strike a particular mood, and don’t worry if your character has a set colour scheme of their own; colour is contextual. No skin tone is the same in two different settings. Even putting the same colour against two different backgrounds makes it look like a completely different colour. Don’t restrict yourself to one scheme and remember that the environment will always affect the object- don’t let your character’s colour dictate the world around them!

Dude he started out as the embodiment of my worst qualities and turned into one of my best characters within the span of about a week, I have no idea how I feel about this guy.
Madras. I can’t help it just look at her holy crap I can’t handle that sort of cute and odd-couple-ness aaaa. Also probably the first character to genuinely make me like the colour pink.
Nope because SPOILERS.
Nope because SPOILERS.
Nope bec- you know what anon why would you even ask about this guy I haven’t even started the comic yet >:T