The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectively than that descent into the sand.
(via ohmybuster)
The Cameraman (1928)
Once again, Keaton’s supposedly “emotionless exterior” is belied. Nothing could convey total dejection anymore effectively than that descent into the sand.
(via ohmybuster)