Posts tagged "HOW"

Anonymous asked: Donsy

natssketches:

image

definitely inspired by modmad’s dancing ducks, but it’s a theme that can’t be beat

Anonymous asked: hey, i just wanted to say that i admire you a lot and your art has been one of my major inspirations for a long time. my family has a history of eds and my sister uses a wheelchair. she's an acrobatic burlesque performer. you can make it through this. good luck out there; your fans are always here to support you! (oh, and zebra pride!)

SHE’S A WHAT

HOYL COW THAT’S AWESOME and thanks my dude I love you and zebras are great aren’t they

Anonymous asked: Hi! Since your characters have the most beautiful and well-defined personalities, I wanted to ask: how do you do that? How can you create such a wonderful and astonishingly realistic thing? What's on your mind while creating and then developing new characters? P.S.: I'm sorry - I apologise for any grammatical errors... I'm Italian :)

yikes, hard question- because I’m not sure, because I let the characters do all the work for me! I guess I’ve always observed people, how they talk and act when they’re feeling certain ways, and I’ve always been very empathetic- meaning that I often don’t just correctly observe how people are feeling, but I actually end up feeling the same way as they do (which can be exhausting and I have to be careful with!). Basically I just create a thought experiment: create a scenario and put characters into it, and see how they react. I can only do this with characters I feel I understand very well, obviously, but really I just sit back and let it play out in my head and my heart. When I think I have enough of a grip on it in my mind, then I start roughing out the comic. 

Much of the framing and layout stuff has come just by doing it for a lot of years (working as a storyboarder certainly helped), so the best way to pick that stuff up is to read lots of comics, watch lots of visual media, and draw draw draw. For the acting out of personalities, I can only assume the same, but if I can’t feel or ‘naturally’ feel what a character would do in response to a situation then I have to reconsider things, or simply just wait, or backtrack- is there something else that happened before this that does not flow naturally? Is there someone else who did something that feels ‘out of character’? Is this the way this character REALLY wants to react, or have they got another angle?

In terms of creating characters with personalities, again I feel I cheat, because I usually am partly ‘approached’ by them rather than making them up from start to finish. Time’s rather abrupt and stark, panel abusing personality just appeared as a consequence of what he is and how he exists, mixed in with the behaviour of his acquaintances the Mad March Hare and the Mad Hatter. The fact that he has an Aussie accent in my head is a total surprise to me.

Uhhhh basically SIT AND THINK. THINK THINK. BUT NOT TOO HARD because the character is the one who thinks. You listen. Writing people is about listening to the people in your head. Yeah.

sanshodelaine:
“so here it is…
maybe too many details? i dunno
”

sanshodelaine:

so here it is…

maybe too many details? i dunno

(via impomaniac)

ncrossanimation:

Some backgrounds I designed and painted for the opening sequence of Over the Garden Wall.

(via bitterbrokenbones)

Officers have tanks now. They have drones. They have automatic rifles, and planes, and helicopters, and they go through military-style boot camp training. It’s a constant complaint from what remains of this country’s civil liberties caucus. Just this last June, the ACLU issued a report on how police departments now possess arsenals in need of a use. Few paid attention, as usually happens.
 
The worst part of outfitting our police officers as soldiers has been psychological. Give a man access to drones, tanks, and body armor, and he’ll reasonably think that his job isn’t simply to maintain peace, but to eradicate danger. Instead of protecting and serving, police are searching and destroying.
 
If officers are soldiers, it follows that the neighborhoods they patrol are battlefields. And if they’re working battlefields, it follows that the population is the enemy. And because of correlations, rooted in historical injustice, between crime and income and income and race, the enemy population will consist largely of people of color, and especially of black men. Throughout the country, police officers are capturing, imprisoning, and killing black males at a ridiculous clip, waging a very literal war on people like Michael Brown.
America Is Not For Black People (via wilwheaton)

(via neil-gaiman)

tumblr stop eating my posts when my connection fails just as I click post D:
anyway. yeah. making business cards. ew gross adult world stuff.
also everything I’m doing looks too serious I’m just going to start over but here have a reject bin sample...

tumblr stop eating my posts when my connection fails just as I click post D:

anyway. yeah. making business cards. ew gross adult world stuff.

also everything I’m doing looks too serious I’m just going to start over but here have a reject bin sample 8’D

thefloatingfudge:
“ I kinda fell in love with modmad’s character design hehe so I did a little art :)
”
THERE;S FNAARTY ALRAEADY WHAT

thefloatingfudge:

I kinda fell in love with modmad’s character design hehe so I did a little art :)

THERE;S FNAARTY ALRAEADY WHAT

(via rusharound)