youreashamedofmybaking:

tom-the-astronomer:

“Ghost of Stephen Foster” - Squirrel Nut Zippers

Ships were made for sinking
Whiskey made for drinking
If we were made of cellophane
We’d all get stinkin’ drunk quite faster 

I just made this music blog; y’all should follow it ;)

Well I pretty much love everything about this so :|b

(via youreashamedofmybaking-blog)

trapeze-swinger:
“ makanidotdot:
“ MAH BEANS
”
There is so much I love about this.
”

trapeze-swinger:

makanidotdot:

MAH BEANS

There is so much I love about this.

(via butttsoup)

“ “Your work is going to fill a large part of your life, and the only way to be truly satisfied is to….love what you do. Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life....

Your work is going to fill a large part of your life, and the only way to be truly satisfied is to….love what you do. Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything - all pride, all fear of embarrassment or failure – these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. Your time is limited. Don’t waste it living someone else’s life- Steve Jobs

(via skeletales)

I finally got a hold of the full version of the Fantastic Flying Books of Morris Lessmore

The tears.

They won’t stop.

Oh god this thing is so beautiful.

My roommate making gourmet brownies.

“These are gonna be good.”

“These are gonna be really good.”

“This is gonna suck.”

deforest:
“ “ No other comedian could do as much with the dead-pan. He used this great, sad, motionless face to suggest various related things; a one track mind near the track’s end of pure insanity; mulish imperturbability under the wildest of...

deforest:

No other comedian could do as much with the dead-pan. He used this great, sad, motionless face to suggest various related things; a one track mind near the track’s end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive; an awe-inspiring sort of patience and power to endure, proper to granite but uncanny in flesh and blood. James Agee in LIFE magazine

The screen was just a white sheet. They had this flickering machine. That was the first time I saw this angel with a white face and these beautiful eyes. I knew this was something special. It was the first time I saw him. He wore a flat pancake of a hat, and I just couldn’t believe the man’s grace. — Mel Brooks

The older Keaton got, the more one could see eternity in his look. —  Robert Benayoun

Buster Keaton … will be around forever, because it’s unlikely that human beings will ever go out-of-date the way special effects do. Keaton running and clambering onto a moving Civil War train in The General is infinitely more exciting than Christian Slater jumping from a helicopter onto a speeding locomotive in Broken Arrow because what Keaton does is real, and the camera captures and preserves his feats for posterity. In Broken Arrow we never see Slater (or the stuntman, for that matter) leaping from the helicopter to the train. Instead there are several cuts, and we must suspend our disbelief and assume that the feat has been accomplished. Which means that it’s no feat at all. Anthony Puccinelli

Happy Birthday to the greatest, most innovative, and most genius figure in all of film. Today, we tip our pork pies to you. | Joseph Frank “Buster” Keaton (4 Oct. 1895 - 1 Feb. 1966)

(via fuckyeahbusterkeaton)

theloudestvoice:

Buster Keaton on The Ed Wynn Show in 1949, in a send-up of the classic molasses skit from The Butcher Boy (1917), his film debut.

(via fuckyeahbusterkeaton)

strangewood:

The Great Stone Face — Buster Keaton, born 116 years ago today.

(via fuckyeahbusterkeaton)