BRB GOING TO THE OSCARS
Well.
Sort of.
My roomie booked out the theatre in our apartment and made popcorn so.
Close enough.
Well.
Sort of.
My roomie booked out the theatre in our apartment and made popcorn so.
Close enough.
l4d2….
mother 3 NOPE
NOPE
NOPE
I WANT A REFUND
tf2. fuck yes
GOTTA GO FAST
Haha lol, crappy colour, cause no tablet around.
Also, yeeah, I’m hanging with a Gameboy Micro (Color too) and often play Sonic on it, sue me.

BLOODY GOLDEN BUGS.
Screw you Agitha. Screw you.
(via wunderscheisse)
Had some people asking me for tips about posing and composition, so here’s three basic tests that I run my pictures through which I find helpful.
1) Silhouette; Can you tell what is happening in the picture? Can you tell what the characters are like, what they’re doing? If you cannot ‘read’ a character’s pose as a simple blacked out shape, then the pose probably isn’t working. There are some exceptions, like foreshortening, but your picture will always benefit from a strong silhouette, and it makes you push your poses to the extreme.
2) De-saturate; I have a huge fondness for black and white films, but one of the strongest lessons they’ve taught me is that if an image doesn’t work without colour, it usually doesn’t work at all. Always think about the tonal values; if you de-saturate the image, does it still look good? Is there enough contrast between the characters and the background? What about shadows- are you using them to help the picture? Are they in the right place? Where is the light coming from? How solid is an object? This is a good test to make sure the lighting is working as a whole.
3) Atmosphere; What do you want the picture to convey? Do you want it to be stark and dynamic, or soft and dreamlike? Having a set colour palette is a good way to strike a particular mood, and don’t worry if your character has a set colour scheme of their own; colour is contextual. No skin tone is the same in two different settings. Even putting the same colour against two different backgrounds makes it look like a completely different colour. Don’t restrict yourself to one scheme and remember that the environment will always affect the object- don’t let your character’s colour dictate the world around them!
I CAN’T READ EVERY COMIC OR STORY ALREADY IN EXISTENCE TO KNOW
I HAVEN’T SEEN DONE IT BEFORE
BUT MAYBE IT HAS BEEN
AND IF SOMEONE SAYS I COPIED THEM THEY WON’T BELIEVE ME
AND NOBODY ELSE WILL BECAUSE REALLY THIS PLOT IS JUST MADE OF ARCHETYPES
IT’S ON PURPOSE BUT AGAIN NOBODY…
Oh my god I love you ;w;
/has been papped and shooshed
/is better now
/still neurotic as fuck but who am I kidding I’m still doing this
Also Photoshop what why are you freaking out now that I decide to try doing something that might be useful as portfolio filler. Why.
(via princeofpuzzles)
I CAN’T READ EVERY COMIC OR STORY ALREADY IN EXISTENCE TO KNOW
I HAVEN’T SEEN DONE IT BEFORE
BUT MAYBE IT HAS BEEN
AND IF SOMEONE SAYS I COPIED THEM THEY WON’T BELIEVE ME
AND NOBODY ELSE WILL BECAUSE REALLY THIS PLOT IS JUST MADE OF ARCHETYPES
IT’S ON PURPOSE BUT AGAIN NOBODY WOULD BELIEVE THAT
BECAUSE I DON’T KNOW WHAT I’M DOING
I HAVE NO SELF CONFIDENCE WHY AM I EVEN CONSIDERING DOING THIS



Nailed it, but
seriously
was that really necessary?