Oh gosh oh crikey oh blimey oh goodness gracious me.
Uh, uh, uhm, you’re really very welcome and gosh I’m just glad you like what I do and that you found SPG and that’s wonderful and oh dear I swear so much I really hope he doesn’t pick that up from me but THANK YOU ANON, I LOVE YOU. I really hope things start to become brighter in your life soon and that you can keep smiling through it all.
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it meant to be something else, but it eventually completely left field and turned into some blue painterly abstract nonsense. (the spine can totally fly. right)
GOLLY
HOLY CRAP DO I EVER LOVE THIS
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Well, first of all, I’m not; I just have fun doing it, and second of all it’s going to be the same answer no matter who you ask- I drew them a lot. I draw them a lot. I will continue to draw them a lot and I will never be as good at drawing them as I want to be, but I will be as good at drawing them as I can be, and that’s really all anyone can ask of you, so that’s fine :D
As for tips, apart from drawing them a lot and drawing as many from life as you can, try looking at the shapes of and in people’s faces. You can learn a lot from looking at skulls and the muscles of the face, but try picking out the repeating motifs in people’s faces- are there circles? Steps? Angles? Curves? What can you make that say about the face, about the person? Can you use that in a way that misleads the audience? Is your villain made of triangles and spikes, or are they a cutesy baby-faced joker?
Just have fun with it and draw as much as you can, whenever you can, of whatever you can- or, even better, what you can’t.
1) Storyboard artists draw up a rough version of the film/animation shot by shot to visualize the script. A storyboard is like a comic- you break up the scenes and then draw what you want them to look like. This way you can figure out which angles are best, how to direct the lighting, communicate the atmosphere of the film, what expressions and body language the acting should use- it’s a vital stage of film production. We also have the liberty to add in background action and generally have to work hard to make dull scenes more interesting. You have to use your imagination a lot; it can be quite challenging at times, but it’s very creative and I love it :)
2) Yes, but I’m not sure I will… ahahaha, ha.
Sadly I’m not allowed to say- confidential stuff, animation- but I can say that I’m employed as a storyboard artist and it is weird. Very cool, but definitely weird.
I just managed to finish this and close it before my supervisor came over askjaslkfja shit that was close (she probably wouldn’t even have minded but aaaa) XD
I figure flying Rabbit = ten times worse better than regular Rabbit.
Also The Spine would probably be something like a death’s head moth rather than a butterfly. Rabbit would probably be something flashy though, maybe the Jon would actually be something like a Scarab beetle instead just to be random hmmm omg I want to do these properly now oh god no why
The downside of drawing fairies all day: it gives me stupid ideas.
The upside of drawing fairies all day: it gives me stupid ideas.
Heee there’s a pinboard at work with staff notices and adverts on it, and every time I’ve gone past it this week I’ve noticed that something has been turned upside-down. I’ve contributed twice myself but now the whole thing is totally upside-down and nobody’s fixed it and GOD I LOVE WORKING HERE.
Empire Magazine pays tribute to the most iconic movie moments of the past 20 years
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SPG Honeybee
I am not familiar with the band, but this fanart is pretty awesome.
Ooooh, this is lovely :D
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